Videos with a lot of motion, such as sports, benefit from the extra frames per second.Ħ0+fps - frame rates of 60 or higher are used for slow-motion video. Captures motion blur similar to how we actually see the world, resulting in realistic looking footage.ģ0fps - early standard for TV shows. In conjunction with shutter speed (more on this later), frame rate determines how much detail is captured for an object in motion.Ģ4fps - standard frame rate for movies and TV shows. Videos are really a series of still images rapidly flashed across the screen to create the illusion of movement.Įach sill is called a “frame” and the number of frames shown per second is the frame rate.Ĭhoosing a frame rate is important as it will dictate how your footage looks. Here's an example, I shot this video of a Barn Owl at dusk, there was no way near enough light for photos but a video came out nicely.Now that you know what video resolution is best for you, let’s learn about another important video setting: frame rate. Losing focus in stills is a momentary annoyance, but in video it ruins the sequence. The AF tracking can be odd in video mode you basically have to have servo and auto track on so it can be hard to grab initial focus etc ans tracking gets awkward if the background changes or something comes in front pdf the subject. Short clips are better than long videos, both to edit, watch and for your memory card and remember 120FPS back at 30fps is 4x slower. The good thing about video needing slower shutters is that it means you can get nicer footage in lower light than photos would turn out. Outdoors can be bright for video even at 120FPS / 1/250 in good daylight will give you a very bright image at LOG base ISOs meaning you might need to stop down a lot without and ND. R5 has the quirky mode button and mini top screen carried over from the original R.ĪLL-I 120FPS 4k (this requires a CF Express card)ĤK and 120FPS gives you lovely slow-mo 30FPS footage which looks good for wildlife clips and can be stabilised to a decent resolution.įor smooth video you generally want the 180 rule so a shutter speed of double the frame rate, practically this means 1/250 for 120FPS.ĭon't shoot log unless you are prepared to mess with ND's. Great idea -thanks! (why doesn't Canon have a Video Mode button?) "set up the M-Fn button to toggle between video and stills" The latest firmware 1.7 is supposed to have cured this though I haven't checked this out yet. I noticed shooting with wide angle lenses, eg my RF16mm a certain amount of wobble in the footage. So useful to change that quickly to a chosen video setting. One of the first things I did when I got my R5 was to set up the M-Fn button to toggle between video and stills. Though the resulting file can be 2 or 3gb and take time to upload the resulting YouTube video retains more detail and contains less artifacts. I love the R5's 120p 4k video and find the autofocus pretty quick and reliable for video.įor short wildlife clips I render in Premiere Pro to very high quality for uploading to YouTube. When I have time I'll give it another go. I haven't tried C log with the R5 though I experimented with my previous EOS R camera. Editing in 8k is problematic with my old laptop but bearable with shorter clips. I mainly shoot in 8k 30p then downscale to 4k when I export my edited movie. I'm very much an amateur but have been editing video with Premiere Pro for a number of years. 4K/2K?Īgain, no intension of offering commercially. I like seeing wildlife in Slomo, which the R5 seems capable of. But am thinking Canon's eye autofocus should work for BIF (as it does for stills) Manual focus mostly? Seems workable for slow moving wildlife & landscape. Got any favorite online how-to video links to share? Just looking for basic R5 video setup info and general pointers for a stills guy wanting to add some video. (I am a pro retoucher for advertising, but just stills, not video) And I have done some very basic editing in Premiere Pro. I have a decent fluid tripod head etc, and a workable gimbal.Īm starting to delve into the many youtube how-to's. But I suspect my Canon 15-35 F2.8 RF will be the workhorse when not capturing wildlife with telephoto (500mm f4 + 1.4x telex). I have the Canon R5 and a decent collections of lenses (no cinema lenses). Goal is to be comfortable capturing & processing short video clips of nature/wildlife to compile into short vignettes set to music etc., and not intended as commercial fare. I also understand that capturing and EDITING quality video are in another universe compared to stills. I have dabbled in video, and am awed by the many wildlife documentaries. I'm primarily a stills shooter of Wildlife/Nature/Landscapes.
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